Integration of ancient notes of Zhuzi's poetry of feeling and Xing, edited by Bian Dongbo, Shanghai Ancient Books Publishing House, November 2019. content validity
China and Japan have a long history of Chinese exchange. According to the records of ancient Japanese historical records, ancient stories and Japanese records, from the third to the sixth century AD, Chinese and Korean people came to Japan to teach, and they brought Chinese characters and books. During the reign of emperor Yingshen, Wang Ren of Baiji went to Japan and brought the Analects of Confucius and the thousand character script. With the close and frequent exchanges between China and Japan, a large number of Chinese nationality came to Japan. The ways of spreading Chinese in Japan can be roughly divided into three categories: copying, reprinting and annotation.
In the Edo era, before the popularization of printing, Chinese books were mainly circulated in Japan by means of copying. Now Japan still has a large number of ancient notes and ancient writings of Chinese ancient books, which can be compared with the ancient books found in Dunhuang in the last century. After the printing spread to Japan, Japan has also reproduced a large number of domestic and foreign classic Chinese books, of which the most famous one is "wushanban" Chinese books.
Signature of Professor Xu Xingwu
In recent years, Japanese ancient note books and Japanese printed books have attracted more and more attention of Chinese academic circles. A series of large-scale Japanese Chinese books have also been photocopied and published in China, such as one to five volumes of overseas Chinese rare books (compiled by the compilation and Publication Committee of overseas Chinese rare books, Beijing: People's publishing house, Chongqing: Southwest Normal University Press, 2008-2015), and Series of Chinese ancient anecdotes (compiled by Jin Chengyu, Nanjing: Phoenix Press, 2013), Japanese Wushan edition of the collection of Chinese rare books (compiled by the compilation and Publication Committee of the overseas Chinese rare book library, Chongqing: Southwest Normal University Press, 2013), and four series of Chinese rare books (compiled by the compilation and Publication Committee of the overseas Chinese rare book library, Chongqing: Southwest Normal University Press, 2013) University Press, Beijing: People's publishing house, 2014).
International academic circles also pay attention to the Japanese annotated edition of Chinese anthologies. Some ancient annotated editions have been photocopied and published. For example, the volume of material copying series compiled by Mr. Zhu Fu Nakata has been included in the ancient annotated edition of Su Shi (four rivers into the sea) compiled by Xiao Yunqing (the bottom edition is the "moving point edition" collected by the National Congress Library of Japan), which corrects some errors of the ancient movable type edition. Tokyo: Miancheng society, 1970; the integration of copying materials compiled by Mr. okazawa Zhengxiong and Mr. okumi Guangxin also photocopied four rivers into the sea, but there was no "moving point". Osaka: qingwentang, 1971).
Zhao Mengfu's Calligraphy
In the fourth series of Du Shi series compiled by Mr. Huang Yongwu, the detailed explanation of Du Lu (Taipei: Datong book company, 1974) by Dongyang, Osaka, was photocopied. The third volume of "integration of Chinese poetry with engraved version and Tang poetry chapter" compiled by Mr. Nagasawa has included the first book by tun'an of yudugong, the interpretation of the collection of toutouzengguang and Dulu (Tokyo: Jigu academy, 1974).
The first volume of the integration of Chinese poetry with the engraved version, a collection of Chinese poetry, compiled by Mr. Chang Ze, includes the ancient poetry records annotated by Qin Shixuan, the Grand View of ancient poetry annotated by Dongyang, tsusaka, the 19 interpretations of ancient poetry by Yuan Gongyi, the 19 interpretations of ancient poetry by Shi Zuozhen, the third volume includes the Tang poetry Zhengsheng annotation by dongmengting, the seventh volume includes the seven sons of Ming Dynasty annotated by Tongxi, Jingshang Notes on Chinese characters of Chinese anthologies, such as Poetry Interpretation (Tokyo: Jigu academy, 1978). Mr. Hai Zhiyi photocopied the manuscript of "Lu Shi Kao Shi" (attached with biographical chronology) written by Shihe Kuanzhai, which was collected in the library of Tokyo University (Kyoto: friends bookstore, 1996).
The fifth volume of the Zen Classics Series compiled by Mr. Shengshan LiuTian and Mr. Hongxiong Lami photocopies the "zhushimen character Zen" (Kyoto: Linchuan bookstore, 2000), the tenth volume photocopies the "Lapel collection", "brief notes on the collection of the Jianghu wind and moon", "the collection of the first book" the collection of the Jianghu wind and moon "," the collection of the Jianghu wind and moon "and other" the collection of the Jianghu wind and moon " 》Japanese ancient annotation (Kyoto: Linchuan bookstore, 2000).
Zhao Mengfu's Calligraphy
The first volume of "new materials collection" compiled by Mr. Otsuka Guangxin has been included in the note book of ancient annotation book in the age of Muromachi (Osaka: qingwentang, 2000).
Recently, the anthology of selected Chinese poems and articles by Japan, Ming Dynasty volume (Guilin: Guangxi Normal University Press, 2019), compiled by Chen Guanghong and Hou Rongchuan, has been included in a variety of ancient Japanese annotation books of Ming Dynasty poetry and letters collection, which shows the Japanese scholars' enthusiasm for the study of Ming Dynasty literature in Edo era.
In recent years, the research team of the Institute of overseas Chinese Studies of Nanjing University has been devoted to the comprehensive study of East Asian Chinese and Chinese classical literature, and has also noted the academic value of the Japanese ancient annotation of the Chinese anthology. It has successively ordered and published the annotation of shizhumen written Zen ([song] by Shi Huihong, [Japan] by Shi Kumen, Zhang Bowei, Guo Xing, Tongling, Bian Dongbo, Beijing: Zhonghua Book Bureau, 2012), photocopied and published the series of Japanese ancient annotation of Hanshan Poetry (Bian Dongbo, Nanjing: Phoenix publishing house, 2017), the annotation integration of Japanese Shishuoxinyu (Zhang Bowei, Nanjing: Phoenix publishing house, 2019).
Series of Japanese ancient annotation of Hanshan Poetry
The integration of ancient Chinese, Japanese and Korean annotations of Zhuzi '.
Zhu Xi is a thinker and litterateur with world influence in China. His thought has been the official ideology in China since the Yuan Dynasty. At the same time, it has a great influence on Japan, Korea, Vietnam and Ryukyu, which belong to the Han culture circle in East Asia. Zhuzixue emerged as the times require has become a common ideological platform and value system in the modern society of East Asia, and various countries in East Asia have formed their own unique zhuzixue. At the same time, Zhu Zi's literary thought and literary creation also influenced the Han literary creation of the whole East Asia.
The twenty poems of zhaiju and Ganxing (hereinafter referred to as "Ganxing poems") are the masterpieces of Zhuzi's Neo Confucianism poems. The poems comprehensively express Zhuzi's core thoughts in verse, including cosmology, history, orthodoxy, respect, attitude towards the imperial examination, Buddhism and the elderly, and views on the disorder of classics literature.
One of Ganxing poems: notes to Ganxing poems by Chou Mo, Korean
The ancients tasted the cloud: "Yu Guanzhu's works of Gan Xing have only 20 ears. The reason of heaven and man's endowments, the purpose of sages' teaching, the loss of heresy and paradox, and the poor separation of popular studies are all the same as the historical studies of his husband for thousands of years, but those who are superior to dogmatism are often found here. It is worthy of three hundred works. " (Xia Shangpu, Volume II of Mr. Xia Dongyan's anthology, after the poem was written by Shugan Xingshi) this passage sums up the content, the theme and the unique position in the academic history of the twenty poems of zhaiju Ganxing, and even thinks that its poems are no less than those of the book of songs.
There are also scholars who juxtapose it with other classic works of Neo Confucianism: "this poem is very close to the reality of taijitu, Tongshu and jinsilu." (Hu Bingwen quoted Hu Sheng from Song Dynasty at the end of Ganxing Shitong) Wang Yeyun from Song Dynasty said, "Sir, in this poem, all the principles of Taiji, yin and Yang, the opportunities of heaven and human desires, the division of ancient and modern chaos control, the differentiation of heresy and final learning, the combination of essence and rudimentary, and the combination of them should be carried out, so as to be of great interest, with sonorous syllables, enough to catch up with elegance. The scholars are fond of satire and good conscience (Hu Bingwen's "Gan Xing Shi Tong" is quoted at the end) from the perspective of philosophy, literature and education, it summarizes the multiple values of "Gan Xing Shi".
Ganxing poetry II: notes to Ganxing poetry by Chou mo of Korea
There are many annotations since Song Dynasty in China, including Cai Mo's Gan Xing Shi Zhu, He Ji's interpreting the twenty poems about living in Zhai, Liu Lu's selected poems, Xiong Gang's Xing Shi Tong, Wu Yueshen's Gan Xing Shi Tong Wing, etc.
What's more, Ganxing poetry not only has a great influence in China, but also has produced a large number of annotation, catch-up poetry and commentary materials. Moreover, it has also aroused a great response in Japan and the Korean Peninsula, as well as a large number of annotation, singing poetry and commentary materials. In the academic history of China, no work can have so many annotations in the history of East Asian literature, attracting the attention of many East Asian scholars for hundreds of years.
The third part of Ganxing Poetry: the manuscript of Ganxing poetry by the Japanese cabinet
The reason why Ganxing poetry has been paid close attention to is related to the core idea of Zhu Zi in the form of literature in this collection of poems. Therefore, the notes and comments of the three East Asian countries on Ganxing poetry are also important materials for the study of East Asian Zhuzi. By analyzing the notes and comments of these poems, we can not only read their detailed explanation of the vocabulary and poetic meaning of the poems, but also their different interpretations of the main idea of the poems, which reflects the different aspects of zhuzixue in East Asia.
Ganxing poem is probably the most annotated single literary work in the history of Chinese literature, and there are nearly 20 kinds of ancient annotations in East Asia. And since the Song Dynasty, some poets began to catch up with "Ganxing poetry", and there were people constantly catching up with "Ganxing poetry" until the Qing Dynasty and the end of the Korean era. These poems tried to imitate the style of "Ganxing poetry", some of them also made innovations, thus forming a long-standing "Ganxing poetry pedigree".
There are also a large number of epigraphs and postscripts in the Han books of East Asia, such as "reading / discussing Zhuzi's feeling and Xing poetry". These comments either elucidate the general idea of the whole poem in Ganxing poem, or research the specific words in Ganxing poem, or discuss the meaning of a poem in Ganxing poem, or expound Zhu Zi's thoughts with Ganxing poem as the center. All these documents are precious documents for studying literature and thoughts of Gan Xing Shi.
A study of Ganxing poetry by Yamasaki amzhai
The collection of ancient Chinese, Japanese and Korean annotation books of Zhuzi's Ganxing poetry collected by editors from libraries in China, Japan, South Korea and the United States includes not only the Chinese version of the Ming and Qing Dynasties, but also the foreign documents such as the Japanese version, Japanese version and Korean version, including rare and precious documents, such as Kui Zhangge, Seoul University, South Korea Choi Mo's Gan Xing Shi Zhu, which was published in Qingzhou of Korea, Ming Bingwen's Gan Xing Shi Tong, which was published in the National Library of China, Lin e Feng's Gan Xing Shi Kao, a Confucianist at the beginning of Edo in the National Archives of Japan, notes on GaN Xing Shi, which was collected in the library of Kyushu University, and Zhu Wen Gong Zhai, which was collected in Korea and Japan The annotation collection of juganxing poetry, the examination of Ganxing poetry by Harvard Yanjing library, and the collection and interpretation of Zhuzi Ganxing poetry by Korean scholars, etc.
In addition, the editors have collected the singing and commentary materials of ganxingshi in the Han nationality of East Asia. Through these documents, we can see the different understandings of ganxingshi and the different characteristics of zhuzixue in East Asia. Before this book, there is a long preface for editors to study the spread and influence of Ganxing poem in the three countries of East Asia, so as to understand the classic position of Ganxing poem in the Han culture circle of East Asia.
The fifth part of the poem of feeling